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• Sales Rank: #3521853 in Books
• Published on: 1999-03-28
• Number of items: 2
• Binding: Paperback

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Beginning with their ambition to found an artists' colony and ending with each artist going his own way, this is the story of how, during autumn 1888, Van Gogh and Gauguin came to live together for two months, in Arles, in the south of France. It is not only the story of their friendship, it is also about how artists generate and share ideas and how they work. While they lived together, these artists had very different beliefs about art, which can be demonstrated through the subjects they painted, side by side. Reproductions of ten paintings by the men are included, so that their styles are approaches are evident. The contrast between the men (in appearance, manner and artistic approach) will provide ample material for discussion with children.

• Sales Rank: #1120162 in Books
• Brand: Brand: Harry N. Abrams
• Published on: 2001-09-01
• Original language: English
• Number of items: 1
• Dimensions: 12.25" h x .38" w x 9.50" l, 1.20 pounds
• Binding: Hardcover
• 40 pages

Features

• Used Book in Good Condition

From Publishers Weekly
This intriguing introduction to two esteemed painters, published in association with the Art Institute of Chicago, spans two months at the end of 1888, when Gauguin accepted van Gogh's invitation to live and work at his yellow house in Arles. Laced with quotes from letters the artists wrote to others, Rubin's (Margaret Bourke-White) narrative underscores the contrasts between the duo's living and painting habits. For van Gogh, "Thick swirls of strong colors expressed his feelings his love of nature, his joy in painting," while Gauguin "painted more slowly.... He spread the paints smoothly in careful shapes." Van Gogh painted from nature, Gauguin "from his imagination feelings, fantasies, and dreams." The author's incisive, accessible analysis of some of the paintings created during their time together accompanies crisp reproductions of their work. Smith's (Circus Train) lifelike watercolor and gouache portraits effectively convey the distinctive characteristics of each man as well as the particulars of the setting and era. Sadly, their constant bickering, according to the author, eventually culminated in a quarrel that ended with van Gogh cutting off part of his own ear and precipitated Gauguin's departure from Arles. Rubin concludes with concise biographical sketches of each artist. This appealing volume will likely spark an interest in the artists' complete works. Ages 5-9.

Copyright 2001 Cahners Business Information, Inc.

From School Library Journal
Gr 2-5-For a brief period in 1888, two of the world's greatest artists lived and worked together in Arles, in southern France. Though only lasting about eight weeks, this tumultuous period and relationship influenced the work of both men. Rubin does an excellent job of contrasting their two styles (and temperaments) and clearly describes how differently each one treated the same subject. The illustrations include reproductions of their paintings and excellent pictures of the men at work and home. The artwork isn't captioned, so careful looking and reading of the text is necessary for someone unfamiliar with these artists to determine who painted what. This book provides an excellent introduction to the study of these painters and their styles. It was produced in conjunction with the Art Institute of Chicago, which hosted the exhibition "Van Gogh and Gauguin: The Studio of the South," and includes brief biographies.

Robin L. Gibson, Perry County District Library, New Lexington, OH

Copyright 2002 Cahners Business Information, Inc.

From Booklist
Ages 5-8. This handsome picture book, published in association with the Art Institute of Chicago, focuses on the two months in 1888 that Gauguin shared van Gogh's studio in the south of France. Rubin's elegant, simple text offers plenty of biographical detail, with more information in concluding page-length biographies. The more sensational stories, such as van Gogh's ear incident, are covered with tact and restraint. But the focus is really on the art. Juxtaposed images showing both artists' interpretations of the same subject offer a basic introduction to the artists' styles, techniques, and mutual influences. Best of all are Rubin's wonderfully accessible observations ("The picture has a mysterious mood. . . . A large green bush seems to have a face"), which will encourage kids to really look at the works and find their own connections with the images. A good introduction to the artists and to visual art in general. Gillian Engberg
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

2 of 2 people found the following review helpful.
Meet Vincent Van Gogh and Paul Gauguin
By Roz Levine
During the fall of 1888, Vincent Van Gogh invited Paul Gauguin to come live and paint with him in the Yellow House in the south of France. "...he missed the company of other people, especially artists who could discuss painting. He hoped that warm, sunny Arles would attract fellow painters to join him. Together they would form a kind of family of artists, a Studio of the South." Van Gogh and Gauguin were very different in both temperment and style. Van Gogh worked quickly, painting "exactly what he saw with his own eyes", and often completed a painting in just one sitting. He "liked to load his brush with lots of paint and put it on the canvas in dots and dashes... Thick swirls of strong colors expressed his feelings-his love of nature, his joy in painting." Gauguin worked very differently. He painted more slowly, blending his paints on a palette, and spreading the colors "smoothly in careful shapes." He "painted pictures from his imagination-feelings, fantasies, and dreams." Together they worked side by side for two months, discussing art and techniques, and learning much from each other. And even after Gauguin left Arles, they continued to encourage each other through their letters..... Based on actual events, Susan Goldman Rubin has written an elegant and compelling story about the relationship between these two great artists. Her eloquent text is straightforward and informative. But it's Jos. A. Smith's artwork that really makes this book stand out. His evocative illustrations dazzle as they compare and contrast Van Gogh's and Gauguin's styles, techniques, and use of color, and include reproductions of some of the paintings created during that two month period. With biographies at the end to fill in details about both painter's lives and work, The Yellow House is an engaging, fact filled introduction, rich in history and drama, that is sure to intrigue young art lovers 5-10, and send them out looking for more

3 of 4 people found the following review helpful.
For inquisitive and artistic young minds
By Midwest Book Review
The Yellow House: Vincent van Gogh & Paul Gauguin Side By Side is a children's color picturebook about the how two legendary artists, Vincent van Gogh and Paul Gauguin, lived together in a Yellow House the south of France in 1888, and shared ideas about their painting. Yet they set about their artwork in very different ways; for example, Vincent painted what he saw while Paul painted from his memory and imagination. The Yellow House is not only an enjoyable story, but also an excellent introduction to the world of art for young readers. The vibrant color artwork strives to emulate a spark of the creative genius that van Gogh and Gauguin themselves poured into their life's work. The last two pages of The Yellow House consist of short biographies of the famous artists. An ideal gift book selection, The Yellow House is highly recommended gift book for inquisitive and artistic young minds.

6 of 9 people found the following review helpful.
Great except for potentially scary or inappropriate content
By ChristineMM
This is a picture book format story for children aged 4-8, about the time period when Paul Gaugin lived with Vincent van Gogh in Arles, France. Bright and lovely illustrations by Jos. A. Smith and reproductions of van Gogh and Gaugin's works comprise the illustrations. There is not much coverage of the impressionists in general. If this is read as a first exposure to van Gogh, Gaugin, or impressionism, the child will be confused or not understanding. I feel this is a great accompaniment after the child knows something about the Impressionist movement, van Gogh, and Gaugin. The bright and lively illustrations really make this a special book.
The story covers the time when van Gogh invited Gaugin to visit through their visit and then ending with a description of their pen pal relationship after Gaugin left Arles. The story explains the different painting methods they used, even when painting the same subject at the same time. The author explains their use of their favorite colors for backgrounds is shown and how van Gogh preferred to paint exactly what he saw while Gaugin preferred to paint from his imagination or from the content of his dreams.
Their explosive relationship is discussed, including a fight that culminated in van Gogh cutting off part of his ear, which was the last straw for Gaugin, resulting in Gaugin's departure. Depending on the sensitivity of the child, learning of this event this could be disturbing. At the back of the book is a one-page biography of each artist. I am not sure if this part was intended to be read to the child; within the van Gogh bio, it is explained that van Gogh suffered from strange moods since boyhood, then goes on to say that after the ear-cutting episode the townspeople "demanded he be locked up in a mental hospital" and goes on to say he did end up in a mental asylum. Whether you want to read this to your young child is up to you. I take issue with the idea of telling young children that townspeople can call for someone to be locked up and then knowing it came to fruition! There is also the question of how much information you want your young child to know, or how much can they understand, about depression, mental illness and the mental asylums of the 1800s. I am not calling for censorship or shaming of depression or mental illnesses, but I have issues with as to the appropriate age to venture into a discussion of mental illness, depression and self-mutilation. Other van Gogh biographies for children aged 4-8 have not included information about the ear-cutting or about the mental asylum visit, although adults seem to always be interested in this part of van Gogh's life.
If the book did not contain the ear-cutting incident in the main body of the story I'd rate this 5 stars; I'll rate it 4 stars due to the content potentially being disturbing for children aged 4-8 which the publisher states this is appropriate for.

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The companion to the #1 blockbuster bestseller, The Day the Crayons Quit!

A Wall Street Journal Best Children's Book of 2015 / A TIME Magazine Top 10 Children's Book of 2015

“Highly anticipated (yes, even for adults)” —Entertainment Weekly

I'm not sure what it is about this kid Duncan, but his crayons sure are a colorful bunch of characters! Having soothed the hurt feelings of one group who threatened to quit, Duncan now faces a whole new group of crayons asking to be rescued. From Maroon Crayon, who was lost beneath the sofa cushions and then broken in two after Dad sat on him; to poor Turquoise, whose head is now stuck to one of Duncan's stinky socks after they both ended up in the dryer together; to Pea Green, who knows darn well that no kid likes peas and who ran away—each and every crayon has a woeful tale to tell and a plea to be brought home to the crayon box.

Look for a special glow-in-the-dark picture [Note: make sure to “charge” it under a light first].

Praise for The Day the Crayons Came Home  

Winner of the Goodreads Choice Award for Best Picture Book of 2015!

A Wall Street Journal Best Book of 2015!

One of Parents Magazine's Ten Best Children's Books of 2015!

A Publishers Weekly Best Book of the Year! 

"Funnier than the creators' original blockbuster."--Parents Magazine

"Mr. Daywalt’s text blends with Mr. Jeffers’s illustrations to make a picture book that will have children clamoring for more crayon adventures."—The Wall Street Journal 

“Continues its predecessor’s pleasing, goofy conceit…Once again, both Daywalt’s text and Jeffers’ illustrations are endearing.”—New York Times Book Review
 
“By telling stories from the points of view of crayons, giving voices to the small and ignored, Daywalt and Jeffers have created two books that offer plenty of charm and fun, but also make children feel deeply understood.”—The Boston Globe

* "A masterwork of humor and design . . . Sure to be as popular as The Day the Crayons Quit."—Booklist, starred review

* "A brilliant, colorful tale that begs to be read aloud and a must-have for all collections."—School Library Journal, starred review

* "Once again, Daywalt and Jeffers create rich emotional lives and personalities for their colorful cast, and it’s hard to imagine a reader who won’t be delighted."—Publishers Weekly, starred review

“Not only stands on its own merit, but may be even more colorful than the original.”—Huffington Post

“Drew Daywalt and Oliver Jeffers once again offer perceptive and frequently hilarious insights…The Day the Crayons Came Home will have readers of all ages chuckling—and will inspire kids’ empathy and imagination in equal measure.”—BookPage 


Praise for The Day the Crayons Quit

The #1 New York Times bestselling phenomenon—over two years on the bestseller list!

Winner of the E.B. White Read-Aloud Award

Amazon’s 2013 Best Picture Book of the Year

A Barnes & Noble Best Book of 2013

Goodreads’ 2013 Best Picture Book of the Year 

* “Hilarious . . . Move over, Click, Clack, Moo; we’ve got a new contender for the most successful picture-book strike.” –BCCB, starred review 

“Jeffers . . . elevates crayon drawing to remarkable heights.” –Booklist

“Fresh and funny.” –The Wall Street Journal

"This book will have children asking to have it read again and again.” –Library Media Connection

* “This colorful title should make for an uproarious storytime.” –School Library Journal, starred review 

* “These memorable personalities will leave readers glancing apprehensively at their own crayon boxes.” –Publishers Weekly, starred review 

“Utterly original.” –San Francisco Chronicle

• Sales Rank: #625 in Books
• Brand: Philomel
• Published on: 2015-08-18
• Released on: 2015-08-18
• Original language: English
• Number of items: 1
• Dimensions: 10.20" h x .45" w x 10.30" l, .90 pounds
• Binding: Hardcover
• 48 pages

Features

• Hardcover
• Author: Drew Daywalt and Oliver Jeffers

From School Library Journal
K-Gr 2—Duncan's crayons are back in this companion to the spectacular The Day the Crayons Quit (Philomel, 2014), and they are just as forthright as ever. A stack of postcards arrive for the neglectful boy, this time written by a new batch of crayons who have been forgotten at motels, lost under the couch, or left behind in the basement. Maroon has been marooned under the sofa, having been broken by Duncan's dad, who sat on it, Tan (or Burnt Sienna) has seen better days and has recently been puked up by the dog, and old frenemies Orange and Yellow have melted in the sun to become one gooey mess. Recurring postcards from Pea Green (aka Esteban), who dreams of traveling, and clueless Neon Red, who writes about grand adventures abroad, will elicit giggles from young ones. Jeffers's mixed-media illustrations of photographed postcards and childlike crayon drawings against white backdrops enhance kid appeal and encourage close visual reading. A glow-in-the-dark spread and chatty household items, such as a sock, a paper clip, and a pencil sharpener, are new aspects to look forward to, and the general theme of home being a place where everyone belongs will resonate with old and young readers alike. VERDICT A brilliant, colorful tale that begs to be read aloud and a must-have for all collections.—Shelley Diaz, School Library Journal

Review

Winner of the Goodreads Choice Award for Best Picture Book of 2015!

A Wall Street Journal Best Book of 2015!

One of Parents Magazine's Ten Best Children's Books of 2015!

A Publishers Weekly Best Book of the Year! 

“Highly anticipated (yes, even for adults)” —Entertainment Weekly

"Mr. Daywalt’s text blends with Mr. Jeffers’s illustrations to make a picture book that will have children clamoring for more crayon adventures."—The Wall Street Journal  

* "A masterwork of humor and design . . . Sure to be as popular as The Day the Crayons Quit."—Booklist, starred review 

* "A brilliant, colorful tale that begs to be read aloud and a must-have for all collections."—School Library Journal, starred review 

* "Once again, Daywalt and Jeffers create rich emotional lives and personalities for their colorful cast, and it’s hard to imagine a reader who won’t be delighted."—Publishers Weekly, starred review

“Drew Daywalt and Oliver Jeffers once again offer perceptive and frequently hilarious insights…The Day the Crayons Came Home will have readers of all ages chuckling—and will inspire kids’ empathy and imagination in equal measure.”—BookPage 

 
Praise for The Day the Crayons Quit

The #1 New York Times bestselling phenomenon—over two years on the bestseller list!

Winner of the E.B. White Read-Aloud Award

Amazon’s 2013 Best Picture Book of the Year

A Barnes & Noble Best Book of 2013

Goodreads’ 2013 Best Picture Book of the Year 

* “Hilarious . . . Move over, Click, Clack, Moo; we’ve got a new contender for the most successful picture-book strike.” –BCCB, starred review 

“Jeffers . . . elevates crayon drawing to remarkable heights.” –Booklist

“Fresh and funny.” –The Wall Street Journal

"This book will have children asking to have it read again and again.” –Library Media Connection

* “This colorful title should make for an uproarious storytime.” –School Library Journal, starred review 

* “These memorable personalities will leave readers glancing apprehensively at their own crayon boxes.” –Publishers Weekly, starred review 

“Utterly original.” –San Francisco Chronicle

About the Author
Although Drew Daywalt grew up in a haunted house, he now lives in a Southern California home, haunted by only his wife, two kids, and German Shepherd. A Hollywood screenwriter by trade, The Day the Crayons Quit was his first book for children. His favorite crayon is Black.

Oliver Jeffers (www.oliverjeffersworld.com) makes art and tells stories. In addition to The Day the Crayons Quit, his books include How to Catch a Star; Lost and Found, which was the recipient of the prestigious Nestle Children’s Book Prize Gold Award in the U.K. and was later adapted into an award-winning animated film; The Way Back Home; The Incredible Book Eating Boy; The Great Paper Caper; The Heart and the Bottle, which was made into a highly acclaimed iPad application narrated by Helena Bonham Carter; Up and Down, the New York Times bestselling Stuck; The Hueys in the New Sweater, a New York Times Best Illustrated Book of the Year; and This Moose Belongs to Me, a New York Times bestseller. Originally from Belfast, Northern Ireland, Oliver now lives and works in Brooklyn, New York.

Most helpful customer reviews

51 of 52 people found the following review helpful.
Drew Daywalt Does It Again!
By delicateflower152
Drew Daywalt does it again! His latest book “The Day the Crayons Came Home” once more features Duncan and his very unusual, very verbose crayons. Humorous postcards, written by different, individual colors of crayon, will have you laughing aloud at their complaints, misadventures, and revelations. (Be sure to note the postcard’s description – when shown.) Since they are traveling a long distance to reach home or need assistance to leave, several of the crayons do send multiple postcards. With the exception of yellow and orange crayons, the colors in this book are different from those in the previous “The Day the Crayons Quit”. The humor in the postcard’s written text may be gentle, snarky, or it may be making a point about the featured crayon’s feelings. Every postcard is funny and fun to read.

Oliver Jeffers’ illustrations – childlike crayon drawings and lettering – add significantly to the book’s appeal and highlight the dilemmas faced by each color. Younger readers may find the child-like lettering a bit difficult to decipher. On the other hand, they may be able to assist adult readers who are having difficulty reading the childlike printing.

One of my favorite things about Drew Daywalt’s two books is that the crayons reflect both readers’ and listeners’ emotions. Duncan’s crayons do have very human feelings and reactions to the events in their lives. Those in “The Day the Crayons Quit” are more representative of adults and their workplace attitudes. In “The Day the Crayons Came Home”, the crayons express feelings that are more familiar to children – feeling forgotten, disliking their own name and wanting to change it, needing help to run away from home.

“The Day the Crayons Quit” is one of my grandson’s favorite bedtime books. I am sure that “The Day the Crayons Came Home” will be, too. It is a fun-filled, funny book. It will engage and entertain both young readers and adults. I recommend you add this wonderful, imaginative book to your library.

30 of 32 people found the following review helpful.
Ohhh, such a good book in so many ways :)
By Valbona
Anyone who has read “The day the crayons quit” should definitely read “The day the crayons came home,” to their children (grandchildren, friends, and family). Mine were looking forward for the book to arrive on the mail as it did yesterday. Parts of the story from the crayons is a continuation of the first book. My son was a bit sad as he realized how the crayons felt when being neglected by Duncan, as he does the same sometimes.
I got to admit the pages where the “glow in the dark” crayon is super cool. We will continue to read this book and will definitely add more to my review. As a mom this book wins in so many ways, creativity, pictures, story, and truthfulness. I mean how many of us end up sitting, crushing, braking, or simply throwing a crayon away. We might think a bit differently from now on.... Love, love, absolutely love it.

15 of 16 people found the following review helpful.
Delightful, creative and funny
By llcva
The sequel to The Day the Crayons quit is just as whimsical and imaginative as the original. From the postcard adventures of all Duncan's crayons, to the end where he builds them a special home, you smile through every page and reading every word. This book is for any age and a perfect gift or bedtime read.

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[N892.Ebook] Ebook El arte de la guerra (The Art of War) (Spanish Edition), by Sun Tzu

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Recopilado más de dos mil años atrás por un misterioso guerrero filósofo, El arte de la guerra sigue siendo, quizás, hoy en día, el libro de estrategia más prestigioso e influyente del mundo, estudiado en Asia por políticos modernos y ejecutivos con el mismo entusiasmo con el que fuera consultado en tiempos antiguos por jefes militares. Como estudio de la anatomía de las organizaciones en conflicto, El arte de la guerra se aplica en general a la competencia y al conflicto, en todo nivel, desde el interpersonal al internacional. Su objetivo es la invencibilidad, la victoria sin dar batalla, y la fuerza inexpugnable gracias a la comprensión de la física, la política y la psicología del conflicto.

Compiled more than two thousand years ago by a mysterious warrior-philosopher, The Art of War is still perhaps the most prestigious and influential book of strategy in the world today, as eagerly studied in Asia by modern politicians and executives as it has been by military leaders since ancient times. As a study of the anatomy of organizations in conflict, The Art of War applies to competition and conflict in general, on every level from the interpersonal to the international. Its aim is invincibility, victory without battle, and unassailable strength through understanding of the physics, politics, and psychology of conflict.

• Sales Rank: #107234 in Books
• Published on: 2012-09-11
• Released on: 2012-09-11
• Original language: Spanish
• Number of items: 1
• Dimensions: 8.19" h x .42" w x 5.05" l, .40 pounds
• Binding: Paperback
• 184 pages

Review
“La traducción de la obra dos veces milenaria de Sun Tzu El arte de la guerra, por Thomas Cleary, pone de relieve de modo inmediato uno de los textos clásicos chinos más importantes. No hay ahí ni una máxima fechada ni una descripción vaga. ‘Lo mejor es ganar sin pelear’, dijo Sun Tzu. Para él la guerra era inseparable de la vida. Imprégnense de este libro y podrán arrojar a la papelera todos esos libros contemporáneos sobre liderazgo y gerencia”.—Newsweek

“Thomas Cleary’s translation of Sun Tzu’s 2,000-year-old The Art of War makes immediately relevant one of the greatest Chinese classical texts. There’s not a dated maxim or vague prescription in it. ‘To win without fighting is best,’ Sun Tzu said. For him, war was coeval with life. Absorb this book, and you can throw out all those contemporary books about management leadership.”—Newsweek

About the Author
The warrior-philosopher and master strategist Sun Tzu, about whom little is known, compiled The Art of War more than two thousand years ago. Legend has it that he was known for the brilliant campaigns he led around the time of Confucius. His work was memorized and passed down orally, before eventually being copied onto bamboo strips and passed around.

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0 of 0 people found the following review helpful.
Compralo, merece la pena, siempre se aprenden cosas del gran estratega chino.
By David
Muy Buena traducción con todos los detalles para entender la gran obra de Sun Tzu, gracias Thomas Cleary por permitirnos leer esta joya de la literatura.

0 of 0 people found the following review helpful.
Buen Libro Bien Presentado. Nice Book
By Jere L. Rafferty
Buen libro bien presentado. Very good and nice presentation. High quality literature.

0 of 0 people found the following review helpful.
Four Stars
By Carlos A. Quiñones
So far good but this tentative as i have not finish to read it.

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'I can think of no other chef that understands the nuances of Asian, and in particular Chinese cooking, better than Neil.' - Heston Blumenthal. Neil's knowledge and love of Chinese cuisine is celebrated in his stable of Spice Temple restaurants, which showcase regional Chinese food in a dark, intimate atmosphere where the spotlight is literally on the food. Devotees of Perry and Spice Temple will be delighted by this collection of more than 130 Spice Temple recipes. The stylish, harmonious and balanced dishes draw inspiration from the provinces of Sichuan, Yunnan, Hunan, Jiangxi, Guangxi and Xingjiang, and the book includes information on Asian ingredients and specialist techniques. This is exciting, masterful food created by one of Australia's most influential chefs and will be an essential addition to the library of anyone who loves to cook and eat modern Asian food.

• Sales Rank: #1649152 in Books
• Published on: 2015-10-21
• Original language: English
• Dimensions: 12.44" h x 1.02" w x 9.41" l, 4.11 pounds
• Binding: Hardcover
• 296 pages

About the Author
Neil started eating in Asian restaurants in the back streets of Sydney under his parent's influence at the age of seven. He thought feasts of braised pork, chilli mud crabs and dried abalone were quite normal for an Aussie kid. It wasn't until a few years later that he realised most Australians had only ever experienced the sweet and sour pork, chicken chow mein and fried rice style Asian cuisine.Starting out at the age of 19, Neil worked his way around some of Sydney's to restaurants, honing the skills and techniques that have be his personal style. Since the opening of Rockpool, his flagship restaurant in the heart of Sydney, his ventures have traced the trends in modern Australian dining - from Wockpool, Rockpool's younger Asian sister, to the cafe at the Museum of Contemporary Art. Neil Perry has also pioneered restaurant-quality in-flight catering for Qantas - and continues to set the trends in modern Australian dining.

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0 of 0 people found the following review helpful.
Once hotly anticipated, now coveted.
By Nicole
After a wonderful evening at Spice Temple in Sydney, we waited with eager anticipation for the release of this title.

The recipes are involved and while not complicated, they require time, patience, and preparation. However, the results are worth it as the flavours are big and the presentation. I trust (and hope) that the recipes will come together quicker in time.

A great cookbook on it's own, better as a memento for an amazing night in Sydney.

0 of 0 people found the following review helpful.
It is a nice book. However as a relatively inexperienced cook
By Amazon Customer
It is a nice book. However as a relatively inexperienced cook, the recipes are too involved for me to attempt.

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• Published on: 1981
• Binding: Paperback
• 58 pages

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Experience eight unforgettable nights of sensual activities specifically developed to make you a better lover. Expand your capacity to enjoy pleasure, deepen your connection with your partner, and learn to satisfy one another fully. Step into Eight Erotic Nights.

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• Sales Rank: #1215479 in Books
• Brand: Brand: Quiver
• Published on: 2008-06-01
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.00" w x 10.00" l, 2.15 pounds
• Binding: Hardcover
• 176 pages

Features

• Used Book in Good Condition

Review
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About the Author
The author of Erotic Massage, Charla Hathaway is an erotic body worker with certification from the Institute for Advanced Studies of Human Sexuality. In addition to being trained in Esalen massage, she is a Sacred Intimate from the Body Electric School, a sex and intimacy coach, and the founder of the Body Joy School of Erotic Touch in Austin, Texas, and she leads community spiritual erotic play events and classes. Visit Charla's site at www.bodyjoy.org.

Most helpful customer reviews

1 of 1 people found the following review helpful.
The book is well-written and easy to follow
By Artemis55
This book is a detailed series of erotic date nights for couples. Each night has its own chapter, with a grouping of related exercises, all clearly described, and each chapter builds on the next. You will learn communication skills, verbal and non-verbal. You will learn to expand your own response to the stimulation of your senses. You will learn how to heal your own body image. You will learn how to increase intimacy on a daily level with your partner.

The book is well-written and easy to follow. The photography is not explicit, and more follows the mood of the chapters rather than illustrate them.

I highly recommend the book to those who want to add an adventurous intimacy to their relationship. Although currently out of print the Kindle version is quite good and hard-bound copies are available from several vendors.

1 of 1 people found the following review helpful.
... enhance the pleasure you wish to share with your loved one. This book is very educational as well ...
By Kerry Lucas
Charla is an expert in providing ways to enhance the pleasure you wish to share with your loved one. This book is very educational as well as having an exciting topic! Highly recommend for couples!!!

1 of 1 people found the following review helpful.
Love this book
By JessK
My husband and I have been trying different exercises in this book for about a year. We don't always do them as long as the book recommends or in order. But I love the increased connection we have because of the tantra exercises. It is a great book.

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