PDF Ebook American Popular Music, by David Lee Joyner
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American Popular Music, by David Lee Joyner
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This text provides an overview of the four major areas of American contemporary music: jazz, rock, country, and musical theater. Each genre is approached chronologically with the emphasis on the socio-cultural aspects of the music. Readers will appreciate Joyner's engaging writing style and come away with the fundamental skills needed to listen critically to a variety of popular music styles.
- Sales Rank: #1846122 in Books
- Published on: 2002-04-29
- Original language: English
- Number of items: 1
- Dimensions: 9.90" h x .79" w x 7.90" l, 1.39 pounds
- Binding: Paperback
- 352 pages
Most helpful customer reviews
3 of 3 people found the following review helpful.
Highly opinionated and superficial
By Mark Asch
Blah. Joyner uses the preface to justify the book's obvious shortcomings: "It is comparatively economical in price and size. That's the reason for it's length, the lack of companion CDs, lyrics, and color photographs. Paper, copyright permissions, and color printing cost a lot of money." So be aware, this is a low-budget item in various respects. It's just barely substantial enough for a school to get away with telling parents and the district BoE that the subject was taught. If you want something that does more than scratch the surface, or provides more than the absolute minimum of textbook production value, look elsewhere. The British Invasion deserves more than 9 pages plus a couple of song analyses.
One might think that, given the apparent importance of brevity, Mr. Joyner would skew the ratio of fact and opinion more in the direction of fact, particularly when some of the opinions he expresses are utterly misguided. To wit: "Stadium rock continued through the 1980s with bands such as Styx, Rush, Boston, Kansas, and Heart. The music of these bands was inherently formulaic and corporate and would lead to major underground rebellions along the way with musical styles such as disco, punk, and grunge."
Rush's music is formulaic and corporate? Disco was a rebellion against bands like Styx or Kansas? Such assertions throw every other opinion in the text into doubt. Also, the famous 3-song Yes album is titled "Close To The Edge", not "Closer To The Edge". Let's call that one a typo, but speaking of that band, it's a strange editorial decision to make the heading of the section about them "Rick Wakeman and Yes". Why put it that way? Rick's a legend, but to suggest that he was the primary source of Yes's prog sound is a real stretch. "Roundabout", which is arguably the band's most popular classic progressive rock song, features some great playing by Wakeman, but it was composed by Jon Anderson and Steve Howe. Many of Yes's records don't even feature Wakeman as a band member, and his solo efforts made far less of a contribution to the progressive rock genre than the band that made him famous, let alone King Crimson, Pink Floyd, Genesis, etc.
The edition I have is called the "Jersey City Edition" but in the section about jazz-rock fusion there is no mention of one of the absolute founding fathers of the genre, guitarist Al DiMeola, who is from Jersey City. Also unseen in the text is PM Dawn, a couple of Jersey City boys whose contribution to hip-hop is worth at least a sentence or two.
The writing is decent. The artists and styles that are mentioned are certainly essential. But I have reservations about recommending this book for classroom use, and certainly not for personal education.
4 of 4 people found the following review helpful.
in response to the 1st review:
By robots
This book does not look bad at all. It seems to provide a more or less thorough history of american popular music. It is organized and would be a good study guide. The first edition came out in 1993, so all or most of the information in this volume cannot have just been ripped off the web.
2 of 2 people found the following review helpful.
American Popular Music
By R. Thomas
The Joyner book an excellent survey of popular music. I chose it for a college general survey course on popular music I taught in Sping 10--it was a great class and the students reacted well to the book. Joyner treats each genre of popular music in a chronological manner, showing their development and influence on each another. The section on courtry music is especially interesting. ITunes links are provided to songs covered in the text. A number of the ITunes links are not the same arrangements discussed in the text, but they are easy enough to track down. I give this book a high recommendation, especially to anyone looking for a general overview of American popular music.
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