Ebook Grappelli Licks: The Vocabulary of Gypsy Jazz, by Tim Kliphuis
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Grappelli Licks: The Vocabulary of Gypsy Jazz, by Tim Kliphuis
Ebook Grappelli Licks: The Vocabulary of Gypsy Jazz, by Tim Kliphuis
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Do you want to sound more like the French maestro Stephan Grappelli? Here is the answer. I've selected around 250 classic Grappelli licks for you to learn. Using Simple chord theory and tips for timing and style. You can start these songs instantly. The audio recording contains samples, solos and backing tracks to practice your new-found skills on. Includes access to online audio.
- Sales Rank: #572362 in Books
- Published on: 2015-12-16
- Original language: English
- Dimensions: 11.00" h x .19" w x 8.50" l, .60 pounds
- Binding: Paperback
- 80 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By rod o'connor
Great book from a great player
12 of 12 people found the following review helpful.
Great Book
By Steven J. Cortes
This is really a great book. I have been playing violin for 40 years, orchestras, bluegrass bands, Mark O'Connor's fiddle camp etc. and this book taught me more about Grappelli's style than have learned any where. The book starts off with the basics of the Grappelli bowings, shows typical licks, then puts the licks into the context of transcribed swing jazz standards that Grappelli would play which you can play along with on the included CD. I have other books that I have bought through the years on Grappelli's style and this is the best. This is not a get rich quick scheme, you will have to put in the time, practice diligently, memorize the licks, play the music and you will absorb this gypsy jazz style. If you want to learn how to play like Steph, buy this book, you won't be sorry.
7 of 7 people found the following review helpful.
Good Stuff!
By mackeagan
Once again, Tim Kliphuis (say it Klip-house) delivers the goods. Lots of Grappelli licks and runs, presented in a clear, easy-to-understand way. Not for the beginner, better for intermediate to advanced players, as you will need to be able to shift to 3rd and 5th positions to execute some of the runs. The only drawbacks to the book are that his explanations on how to use the licks don't really give you the understanding of how Grappelli would use them, but I expect that would take up another book, and also the licks span the early years (which I really want to get that sound) to the last years, when he had a more modern sound. Still if you want to learn, this is a great book.
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