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Alan's War: The Memories of G.I. Alan Cope, by Emmanuel Guibert
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"When I was eighteen, Uncle Sam told me he'd like me to put on a uniform and go off to fight a guy by the name of Adolf. So I did."
When Alan Cope joined the army and went off to fight in World War II, he had no idea what he was getting into. This graphic memoir is the story of his life during wartime, a story told with poignant intimacy and matchless artistry.
Across a generation, a deep friendship blossomed between Alan Cope and author/artist Emmanuel Guibert. From it, Alan's War was born – a graphic novel that is a deeply personal and moving experience, straight from the heart of the Greatest Generation – a unique piece of WWII literature and a ground-breaking graphic memoir.
- Sales Rank: #494770 in Books
- Brand: Guibert, Emmanuel
- Published on: 2008-10-28
- Released on: 2008-10-28
- Original language: English
- Number of items: 1
- Dimensions: 9.08" h x 1.01" w x 6.30" l, 1.36 pounds
- Binding: Paperback
- 336 pages
From Publishers Weekly
Starred Review. Guibert writes and draws for American G.I. Alan Cope in this poignant and frank graphic memoir of young soldier who was told to serve his country in WWII and how it changed him forever. When he first enters Fort Knox at 18, he is young and impressionable, more of a dreamer than the military type. Slowly, Cope grows through his experiences in the war. He forges candid friendships with his fellow soldiers and remains ever insightful in his recollections of the war and his life afterward. Together, Cope and Guibert forge a story that resonates with humanity. Guibert's illustrations capture the time period vividly. While the subject matter is familiar from many wartime memoirs, Guibert's fluid, simple but assured linework captures the personalities of Cope and his friends, elevating the material to a far more affecting level. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 10 Up—Cope was a paper delivery boy in California in 1941 when Pearl Harbor was bombed. A couple of years later, at 18, he was drafted into the U.S. Army and shipped off to Europe. In 1994, he met cartoonist Guibert and recounted his wartime experiences and what he'd thought of them during the intervening years. The resulting book—published in France a year after Cope's death in 1999—puts readers nearly inside the skin of a young man who learns to deal with Army regulations, a number of Western cultures, friendships, and what turned out to be a lifelong exploration of life's possible meanings. Guibert allows Cope to speak directly from the pages, where the images he is describing unfold in small, neat panels in which grays, black line, and open white space provide details of expression, furnishings, the open countryside, and military equipment. Guibert and Cope are well matched and compelling as storytellers. There is no central dramatic moment here—Cope's major wartime work involved neither attacks nor defenses—but the complete honesty offers insights and answers often omitted in war stories. Cope becomes so real that, as he ages across the final quarter of the book, teens will stay involved with how his youthful experiences and ideals colored his mature choices and memories.—Francisca Goldsmith, Halifax Public Libraries, Nova Scotia
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
After churning out a series of popular children’s books, French graphic artist Guibert recently detoured into biography. His chronicle of reporter Didier Lefevre in Afghanistan, The Photographer (in three volumes, so far), won several awards and raised the bar for Guibert’s versatile drawing skills. The unlikely subject of his latest biography is World War II veteran Alan Cope, an American retiree living in France, with whom Guibert developed a close friendship in the early 1990s. Cope’s charismatic demeanor and storytelling penchant gradually put a spell on Guibert, inspiring him to capture Cope’s life in a fascinating tapestry of illustrated anecdotes, reproduced letters, and photographs. Cope, it turns out, saw very little action during his extended European tour in the latter half of the war, yet his peculiar misadventures as a radio operator, tank gunner, and chaplain’s assistant carry their own appeal. His encounters with temperamental officers, friendships with fellow soldiers and German musicians, and struggles to find work in post-war France reveal a fascinating side of wartime life rarely seen in military films or history books. --Carl Hays
Most helpful customer reviews
0 of 0 people found the following review helpful.
An impressionable young soldier travels in Europe just as WWII is ending.
By M. Mackinnon
This is an interesting memoir in graphic novel style. The pictures have an elegant simplicity. A French author, years after the fact, illustrated the stories of a young American G.I. who happened to arrive in Europe just as WWII was ending. He was a sensitive observer, and made some interesting friendships in that curious post-war period. Imagine touring Europe in a tank!
2 of 3 people found the following review helpful.
Compelling
By Dave
This is a remarkable book. Guibert's style is immediately engaging -- it sounds corny but it was easy to believe he was speaking directly to me. The art is equally engaging. It supports the story without distracting, and provides a fantastic sense of time and place. They worked together to keep me riveted from cover to cover.
3 of 6 people found the following review helpful.
At War with the Army
By Kevin Killian
In an amazing act of cultural sympathy, French cartoonist Emmanuel Guibert befriended the elderly US vert Alan Cope and now proceeds to tell Cope's own story as though Cope was still with us, playing the ventriloquist. Guibert has a finely tuned ear for the enthusiasms and hesitancies of his former friend, and ALAN'S WAR stands as an inspiring tribute to the power of friendship between generations, for you'd have to be awfully sensitive to be able to catch to this degree the nuances of a generation born in the 1920s, not to mention rendering all of Alan's adventures in a complementary, impressionistic panoply of evocative panels. We can almost imagine that Cope wrote this himself!
I heard of this book from my friend, the editor and poet Ben Mazer, who had spread the word that ALAN'S WAR contains a pen-and-ink portrait of our mutual friend, the California writer Landis Everson, one of the original "Berkeley Renaissance" poets of the 1940s. Indeed Landis does appear in some of the brief, postwar sections of the book, when Cope is trying to get his footing back in a society ostensibly at peace, but inwardly seething with the tensions of the Cold War. And it's an interesting take on Landis Everson, but believe me, he plays only a tiny part in this very long saga of war and youth.
Alan Cope himself we get to know well, though there's ultimately a distance he keeps between himself and Guibert. It seems like there's all sorts of things he leaves out. Why for example, his hatred of America? It is said that a companion volume, ALAN'S YOUTH, is to follow, and maybe we'll get some clues about his emotional shutdown. His love of his comrades is a little eye-opening, too, and beyond that Alan seems to have encountered every aggressive gay man in the whole US armed forces. His regret? That he didn't kiss back the brother of a California neighbor who professed his love for him. Other reviewers have noted Alan's tolerance of what were then thought of as sexual deviants. Actually ALAN'S WAR for all it good intentions, and its very real grace, is a little bit boring... But many will love it, and biographers of Pound and henry Miller and Octavio Paz will turn to it for some intrig
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